谢之光(1899~1976),近现代著名画家,他一生历经了清代、民国、新中国的三个时期的生涯,别署栩栩斋主、白龙堂, 浙江余姚人。著名国画家,擅长人物、鸟兽、花卉等,尤擅仕女画,笔法采中西之长,别具一格。谢之光富有传奇的人生经历,直至今天仍为海上画坛所津津乐道。民国时期以“月份牌”广告画,享誉大江南北,人称“月份谢”。与郑曼陀、杭穉英并称“月份牌三剑客”,成为老上海独特的文化符号。
但是,其一生最大的艺术成就,还在于他晚年所作的大写意花卉、山水。因为在谢老眼里,画月份牌广告,只是为了养家糊口,而没有报酬的大写意国画,才是他心头之爱。
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别看画中似是寥寥数笔、随心所欲,其实每一次落笔都有讲究的,笔法不同,出来效果也不一样。比如,他有时会用倾倒、拖、下滴等笔法,有时还会用棉团、纸团、布团、竹筷、柳条,甚至手掌、手指来作画,大胆冲破常规,不拘一格,亦具一趣。
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谢老还惯常用宿墨作画,说是“宿墨用起来必有一功”。也就是当宿墨脱胶之际,既黏而又浓黑之时,含水旁渖,笔痕犹存,自有一种烟雨朦胧之效。
此外,连洗笔的浑水,谢老也视若珍宝。他常常将其往画纸上一泼,待画面自然风干,留下淡淡一层灰蒙蒙的背景色。对此,谢老的解释是:“这么一泼,画面不就统一了吗?”
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对于谢老晚年的大写意作品,学术界普遍给予高度评价。
过了古稀之年的谢老,仍在探索创新自己的绘画气势派头,说明他对大写意的热爱是深植于灵魂深处的。
只是故人已去,大家提到谢之光的名字,依然想到的是他月份牌广告画,而他在中国画上的造诣也被大众低估,不得不说是一种遗憾吧。
谢之光花鸟画欣赏
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