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北宋有过两幅钜迹，一幅是张择端的《清明上河图》，另一幅便是这《千里江山图》。而如此钜迹，竟出自一位名叫王希孟的十八岁少年之手。

北宋蔡京题跋《千里江山图》是他唯一的传世作品，他在美术史中记载很少。其生平事迹最确切的，还是当时太师蔡京在此画上的跋记：

“政和三年闰四月八日赐。希孟年十八岁，昔在画学为徒，召入禁中文书库，数以画献，未甚工。上知其性可教，逐诲谕之，亲授其法，不逾半岁，乃以此图进。上嘉之，因以赐臣京，谓天下士在作之而己”。

从题跋上看，当时王希孟只有十八岁，以刻苦勤奋得到皇帝赵佶的青睐，並以已为师，亲自教导和传授技法。在皇帝地指导下，半年就完成了这幅不朽画作。史载他献画之后不久，便离开人世，时年才二十余岁。

《千里江山图》局部 鸟

《千里江山图》局部 渔

《千里江山图》局部 桥《千里江山图》以大青绿设色，长卷制式，全画设色华丽，物象气势恢宏，是工笔金碧青绿山水画中的经典之作。以“咫尺有千里之趣”的表现手法和精细的笔法，描绘出祖国山川的锦绣美丽。画中的峻岭高山，平坦坡岸，水际茫茫中点缀有楼阁亭台，村舍茅屋，水磨长桥，捕鱼艇船，行旅之人，集市闹处，飞流瀑布，鸟飞天空，树林竹映，景物繁杂，整个构图运用“平”,“高”,“深”等三远法则，表现出大自然景物造化的鬼斧神工。山石以墨线勾勒，披麻与斧劈皴法相结合，以褚石色为衬托，石青,石绿为主导，在蓝绿色调中求变化，使得画面是那么的繁复，又是那么的融合。

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