人间三月，湖光潋滟，孤山西泠印社边的梅花斗艳，鸟儿枝头旋转跳跃。林语堂曾说：“春天要做三件事，赏花、踏青、喝西湖龙井。”一口春茶，是茶人一年的等待，轻啜一口，春天里的鲜活与生机，便藏在这杯春茶里。喝春茶，自然要好的“春壶”来配，茶与器结合，亦能相得益彰。今天，一条生活馆为大家找来了4把铜壶，还有一款铜印由品牌“朱炳仁·铜”与西泠印社联合出品。西子春天：铜壶×1、茶席×1、杯子×2、西泠铜印×1、印泥×1苏堤春晓：铜壶×1、茶席×1、杯子×2、西泠铜印×1、印泥×1说到铜壶，大家较为常见的也许是紫红、金黄、银白的铜壶。而为铜壶着色，是件新鲜事。非遗“铜雕父子”朱炳仁、朱军岷，在惊叹于中国传统色的同时，思考“天青色”、“暮山紫”……这些美妙的颜色，为何处不能着在铜壶上，为铜壶“穿”上一件彩色的外衣呢？于是，他们用了近3年的时间，历经无数次试验，借鉴古代画珐琅技艺，获得了珍贵矿物釉料精准配比，烧出了属于铜壶的千色之美。
限时特惠活动截止至：2023年4月8日中国工艺美术大师、国家非遗铜雕技艺代表性传承人朱炳仁；浙江省工艺美术大师、“朱炳仁·铜”品牌创始人朱军岷，分别是中华老字号“朱府铜艺”第四代、第五代传人。朱府铜艺源自1875年，至今已148年历史，自创立以来就有“嫁女的铜，朱家的工”之美名。雷峰塔、峨眉山金顶等百余座铜建筑与铜工程，便出自这对“铜雕父子”之手，他们撑得住大型建筑，也能打造小件雅器。2008年，朱军岷以父亲的名字命名，创立品牌“朱炳仁‧铜”。“朱炳仁•铜”与故宫、《国家宝藏》等众多文博机构合作开发文创，作品多次作为礼品赠予外宾。古老的非遗铜雕技艺，在他们手中焕发新的生命力。本次，由“朱炳仁·铜”出品的几把铜壶，让人想到苏轼诗中的西湖水的颜色。它们是“欲把西湖比西子，淡妆浓抹总相宜”的“西子色”。蓝天碧水、柳绿花红，难怪有人说只有西湖的春色，才能称之为“西子色”。从浅蓝、到黄绿，这“一诗醉千年”的西湖之美，都被这对铜雕父子“画”在了铜壶上。此次众筹的春季茶礼系列铜壶，每一款都有独特的设计美感，从颜色、使用再到组合，让每一位茶友，都能选到契合气质的美物。尺寸：120mm×70mm×70mm（底部直径×口径×高）一壶春色，西子春天。眼下这把西子壶，彷佛一汪碧绿西湖水在茶席流动。壶型为侧把壶，浑身圆润，壶嘴小巧，出水爽利。壶把手柄细长，倾倒茶水时不易烫伤。注：“侧把壶”因似有羽翼飞升之感，唐代宫廷也称之为“羽觞壶”。整体器型口小肚大，冲泡时可充分聚拢茶香，持握舒适。铜壶适宜冲泡如龙井绿茶、乌龙茶、红茶等，也适宜煮饮老白茶、普洱茶等。此款组合，搭配了八瓣花口玻璃杯，四方茶垫，即茶事全齐。组合内携一方铜印，于午后的座椅中，品茗赏之。一口鲜香，入喉就是江南的春！尺寸：110mm×90mm×140mm（底部直径×口径×高）十景之首，长桥卧波，南宋的苏堤春晓，被列为“西湖十景之首”。长堤卧波，堤上六桥烟柳如幕，正如这眼前的铜壶。苏堤第一桥名为“映波”，铜壶的提梁，恰似长桥横卧。壶面则是西湖独有的蓝，山水相映间，碧波微澜。圆润的壶身，短短的翘嘴，透出秀美、柔和的气质，与转折明快的提梁搭配，方中带圆、圆中含方，刚柔并济中留有不尽的韵味。一人得幽、二人得趣，静坐茶席前，泡上一壶茶，于诗一般的意境中怡情养性，着实是人生一大美事。尺寸：88mm×76mm×108mm（底部直径×口径×高）有一种美，淡妆浓抹总相宜。“朱炳仁·铜”将对美的追寻融入到这把壶里，眼中所见，手中所握，皆如苏轼的眼中温文尔雅的绝代佳人。铜壶器型圆润丰腴，透着可爱之气。壶面着色，是难度更高的渐变色，从柔白到淡蓝，透出淡淡的含蓄与娇羞之美。圆珠形壶钮，似美人高高的发髻。壶嘴短而上翘，倾茶时，出水流畅。茶礼搭配莲花铜盘，犹如六月西湖盛开的清莲，可收纳，也可做茶盘之用。置于案上，好似能闻到沁人荷香，喝茶也更香甜了。铜壶尺寸：90mm×85mm×120mm（底部直径×口径×高）“柳丝染出西湖色”，铜壶的颜色，如西湖柳树初生，或湖边山色在水波中形成的“春波绿”，怎么看都令人心旷神怡。器型圆圆润润，拿在手上把玩，惬意有趣，小巧壶嘴，翘首可爱。绞丝纹提梁，为匠人手工敲打拉丝，反复高温退火后才成，上缠麻花绳编，隔热防烫。组合内含陶瓷莲花杯一对，容量40ml，典雅生动，淡雅文气。其搭配的铜盘上“卯兔”生机盎然，跳跃于“湖光山色”中，盘面右上刻“宏图大业”印，象征朝气与期望。 朱炳仁不仅是国大师，还有个特别的身份是西泠印社社员。西泠印社中，朱炳仁是用铜治印第一人。风有信，花有期。在春天若是能收到一枚印信，那便是春风捎来的消息。以印会友，雅韵流觞，以此为“信”，世间美好都能如期而至。此次，“朱炳仁·铜”向西泠印社首任社长吴昌硕致敬，首次以印入茶礼，将中国千年铜文化与百年西泠的风流风骨相结合，淬炼出这季的春茶新礼。铜印底款刻“美意延年”，此佳句印文正是来自“石鼓篆书第一人”吴昌硕，苍劲质朴，美意无限，不愧为篆刻界“一代宗师”之作。此物可作长久之物礼赠贵人，更是一份承载美好祝福的心愿之礼。朱家铜壶的料子，不仅有“颜值”，更能喝出春茶的“爽”与“鲜”。“朱炳仁·铜”坚持选用紫铜原料，均经抗菌检测、铜食品级使用检测、欧盟标准的23项重金属合格检测。每把铜壶都需经过多重繁杂工序、千熔百炼而成，件件皆心血之作。每一道都是五代传承下来的工艺精粹，不花上两三个月的功夫，无法成大器。其中釉色的选择、调配，为了理想中的“西子色”，朱炳仁、朱军岷和团队循环往复了上千次。用珍贵矿石碾粉入釉，形成独家配方，以西湖山水之美研发调色，终得苏轼眼中的清波荡漾，烟云缥缈，江南的烟雨蒙蒙之美。铜壶底部有落款朱炳仁铜，专属品牌Logo，可放心珍藏。将紫铜板剪成规则的圆饼，在力量与硬度之间，仍需数十年的磨砺，才能剪出圆满弧线。伴随高温烈火灼烧，匠人要完成上万次的锻打，才能将一片铜巧妙变化成铜壶的雏形。入手这样一套茶器，在春日的午后，与亲友行一场春日雅事。一方铜印，寻江南文人的金石闲趣；一把铜壶，饮江南烟雨的春风十里，人生惬意，便也莫过于此了。 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铜×西泠印社，高温釉彩，春色入壶，饮尽江南春！
岑咽堵1722杜牧的江南春绝句的艺术特色 -
曹柔子17621453184 ______ 杜牧特别擅长于在寥寥四句二十八字中,描绘一幅幅绚丽动人的图画,呈现一种深邃幽美的意境,表达一缕缕含蓄深蕴的情思,给人以美的享受和思的启迪.《江南春》反映了中国诗歌与绘画中的审美是超越时空的、淡泊洒脱的、有着儒释道与禅宗“顿悟”的思想,而它们所表现的多为思旧怀远、归隐、写意的诗情.
岑咽堵1722西塞山前白鹭飞,桃花流水鳜鱼肥.这是一幅多么美的江南的江南春景图!我能用上比喻获拟人的手法把图细细地描述 -
曹柔子17621453184 ______[答案] 西塞山前白鹭在自由地翱翔,江水中,肥美的鳜鱼欢快地游着,漂浮在水中的桃花是那样的鲜艳而饱满.美丽的西塞山前,一群群白鹭在碧空中自由地飞翔.桃花盛开,江水猛涨,无数肥美的鳜鱼在水底悠闲地游动.西塞山边,一群群白鹭...
岑咽堵1722关于《江南春绝句》的赏析 -
曹柔子17621453184 ______ 杜牧《江南春绝句》赏析 千里莺啼绿映江,水村山郭酒旗风. 南朝四百八十寺,多少楼台烟雨中. 这是描写江南风光的一首七绝.江南多么迷人,多么令人向往,“日出江花红胜火,春来江水绿如蓝”,白居易已经给我们描绘了一幅幅绚丽的...
岑咽堵1722渔歌子中为我们描绘了一幅江南春景图_________,__________. -
曹柔子17621453184 ______[答案] 张志和《渔歌子》中的“西塞山前白鹭飞,桃花流水鳜鱼肥”给我们展示了一幅浓郁江南风味的春景图
岑咽堵1722江南春表达诗人怎样的思想感情
曹柔子17621453184 ______ 杜牧在这首七绝中不仅描绘了明媚的江南春光,而且还再现了江南烟雨蒙蒙的楼台景色,使江南风光更加神奇迷离,别有一番情趣.“千里莺啼绿映红,水村山郭酒旗风”,首先诗人把我们带入了江南那花红柳绿的世界.你看,到处莺歌燕舞,...
岑咽堵1722《江南春》表达了诗人怎样的思想感情?
曹柔子17621453184 ______ 《江南春》是唐代杜牧创作的一首七绝.诗中描绘了明媚的江南春光,再现了江南烟雨蒙蒙的楼台景色,使江南风光更加神奇迷离,别有一番情趣.表达了诗人对江南景物...
岑咽堵1722怎样创设古诗词教学的意境,提高古诗词教学的效率 -
曹柔子17621453184 ______ 古词以其独特的魅力,在语文课本中,独占一席之地.古诗词教学的情境,是与古诗词内容有关的课堂气氛与情感体验的总称,是课堂教学获得成功的必备因素之一. 与传...
岑咽堵1722江南春,杜牧的诗句? -
曹柔子17621453184 ______ 江南春 唐代:杜牧 千里莺啼绿映红,水村山郭酒旗风. 南朝四百八十寺,多少楼台烟雨中. 译文 辽阔的江南到处莺歌燕舞绿树红花相映,水边村寨山麓城郭处处酒旗飘动. 南朝遗留下的许多座古寺, 如今有多少笼罩在这蒙蒙的烟雨之中. ...
岑咽堵1722从情景关系《江南春》赏析? -
曹柔子17621453184 ______ 这首《江南春》,千百年来素负盛誉.诗中不仅描绘了明媚的江南春光,而且还再现了江南烟雨蒙蒙的楼台景色,使江南风光更加神奇迷离,别有一番情趣.迷人的江南,经过诗人生花妙笔的点染,显得更加令人心旌摇荡了.这首诗四句均为景...
