《曹全碑》可谓久负盛名，为东汉隶书极盛时期的精品之作，历代之书家或书法爱好者无不习之。清万经《分隶偶存·汉魏碑考》称其：“书法秀美飞动，不束缚，不驰骤，洵神品也。”

碑文隶文字清淅，结体平扁清整、秀润典丽。用笔万圆兼备，而又以圆笔为主。多取篆运笔，圆匀婉畅，柔中带刚。各种笔画的起笔以及转折处大多运用裹锋圆转的方法，折笔处的方笔多属方中寓圆显得笔致婉畅润，秀逸多姿。

另外需要注意的是，有不少的书法爱好者，初学之时常常笔力不够，往往仅得其貌而失其遒劲之体势，这一点需要格外注意。隶脚笔势舒展、万毫齐放，要笔笔要送到点画的终端，才能有沉着之敛劲。

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