折柳
汉乐府《折杨柳歌辞》:上马不捉鞭,反折杨柳枝,清朝褚人获在《坚瓠广集》卷四中提出:"送行之人岂无他枝可折而必于柳者,非谓津亭所便,亦以人之去乡正如木之离土,望其随处皆安,一如柳之随地可活,为之祝愿耳。"李白有词云:“年年柳色,灞陵伤别。”这是非常符合国人随遇而安的哲学思想的。
![](https://p0.ssl.img.360kuai.com/t011cfb799f7b386266.jpg?size=540x308)
北魏贾思勰《齐民要术》里说:“取柳枝著户上,百鬼不入家。”是说柳条发芽时节,人们插柳戴柳以辟邪。宋元更是流行插柳,春游归来会折枝柳枝插在门上辟邪祈安。
![](https://p0.ssl.img.360kuai.com/t01f51e2cd2cd81100a.jpg?size=971x663)
![](https://p0.ssl.img.360kuai.com/t019cf68be34ef72744.jpg?size=750x359)
![](https://p0.ssl.img.360kuai.com/t01649f4517d328b8fb.jpg?size=451x800)
籍田
《诗经.周颂.载芟》:“载芟,春籍田而祈社稷也。”毛传:“籍田,甸师氏所掌,王载耒耜所耕之田,天子千亩,诸侯百亩。籍之言借也,借民力治之,故谓之籍田,朕亲率耕,以给宗庙粢盛。”颜师古注引韦昭曰:“籍,借也。借民力以治之,以奉宗庙,且以劝率天下,使务农也。
![](https://p0.ssl.img.360kuai.com/t01c4cd9f33e80d58a8.jpg?size=500x381)
马轼 李在 夏芷《归去来辞图》 辽宁省博物馆
![](https://p0.ssl.img.360kuai.com/t01aac7fd91d4d1f7ea.jpg?size=1080x1005)
清 焦秉贞 《御制耕织图》
清 焦秉贞 《御制耕织图》
清 焦秉贞 《御制耕织图》
![](https://p0.ssl.img.360kuai.com/t0196e869f322aa4c57.jpg?size=996x827)
![](https://p0.ssl.img.360kuai.com/t017806fd796fc8e07d.jpg?size=503x681)
打春牛
小儿著鞭鞭土牛,学翁打春先打头。
黄牛黄蹄白双角,牧童缘蓑笠青篛。
--杨万里《观小儿戏打春牛》--
![](https://p0.ssl.img.360kuai.com/t01ac49f62e7756952a.jpg?size=742x750)
![](https://p0.ssl.img.360kuai.com/t01b4861d82842ace40.jpg?size=742x750)
![](https://p0.ssl.img.360kuai.com/t016152073d0c7315b2.jpg?size=236x450)
咬春
清人专有《咬春诗》:“暖律潜催腊底春,登筵生菜记芳辰;灵根属土含冰脆,细缕堆盘切玉匀。佐酒暗香生匕梜,加餐清响动牙唇;帝城节物乡园味,取次关心白发新。”宋《岁时广记》引唐《四时宝镜》载:“立春日食萝菔、春饼、生菜,号春盘。”
明《帝京景物略》一书中,有专门对春场的记载:“东直门外五里,为春场,场内春亭,万历癸巳,府尹谢杰建也。故事,先春一日,大京兆迎春,旗帜先导,次田家乐,次勾芒神亭,次春牛台,次县正左、耆老、京师儒。府上下衙役皆骑,丞尹舆。官皆衣朱簪花迎春,自场入于府。是日,塑小牛芒神,以京兆生舁(抬之意)入朝,进皇上春,进中宫春,进皇子春。毕,百官朝服贺。立春候,府县官吏公服,礼勾芒,各以彩仗鞭牛者三,劝耕也。”看看连皇帝老倌都携百官礼仪,其场面何等之热闹。
![](https://p0.ssl.img.360kuai.com/t01369ed24970ee2a35.jpg?size=1080x606)
![](https://p0.ssl.img.360kuai.com/t01b2702eb1e3658140.jpg?size=1080x611)
![](https://p0.ssl.img.360kuai.com/t01929a174ed4d017dc.jpg?size=1080x608)
![](https://p0.ssl.img.360kuai.com/t0181c3aef58481cc21.jpg?size=1080x609)
清 禹之鼎《春泉洗药图 》美国克利夫兰艺术博物馆
竖蛋
春分竖蛋,也称春分立蛋,是指在每年春分这一天,各地民间流行的“竖蛋游戏”国。中华民族先民就开始以此庆贺春天的来临 ,“春分到,蛋儿俏”的说法开始流传。
![](https://p0.ssl.img.360kuai.com/t01104eb288a0b3d1d1.jpg?size=1080x1733)
墙内秋千墙外佳人笑
![](https://p0.ssl.img.360kuai.com/t013c9a5b8f0e5aac8a.jpg?size=523x498)
仇英《清明上河图》
![](https://p0.ssl.img.360kuai.com/t0125fe9eff956b35e8.jpg?size=750x857)
陈枚、梁诗正《月曼清游图册——二月“杨柳荡千“》(局部),绢本设色,37×31.8cm
踏青赏花
![](https://p0.ssl.img.360kuai.com/t01e93a948833e189ed.jpg?size=750x897)
周昉《簪花仕女图》(局部),绢本设色,180×46cm,唐代
![](https://p0.ssl.img.360kuai.com/t0187868d9964cbdc92.jpg?size=239x598)
![](https://p0.ssl.img.360kuai.com/t01ef8732043e866989.jpg?size=750x864)
陈枚、梁诗正《月曼清游图册——四月“庭院观花”》,绢本设色,37×31.8cm,清代
![](https://p0.ssl.img.360kuai.com/t017d7332c75351828c.jpg?size=640x640)
![](https://p0.ssl.img.360kuai.com/t01f2554057f7c8aeda.jpg?size=750x625)
仇英《汉宫春晓图卷》(局部),绢本设色,474.5×34.2cm,
兰亭雅聚
![](https://p0.ssl.img.360kuai.com/t015a88d211fade5168.jpg?size=667x471)
《后汉书·礼仪志》"是月(三月)上巳,官民皆洁于东流水上,曰洗濯祓除,去宿垢,为大洁"
东晋永和九年(公元353年)三月初三“上巳节”,时任会稽内史的右军将军、大书法家王羲之,召集筑室东土的一批名士和家族子弟,共42人,于会稽山阴之兰亭(今浙江省绍兴市西南十许公里处)举办了首次兰亭雅集。有谢安、谢万、孙绰、王凝之、王徽之、王献之等名士参加。会上共得诗37首。
![](https://p0.ssl.img.360kuai.com/t01e521d090a27a6080.jpg?size=1080x811)
南宋,俞紫芝《兰亭休禊图》
南宋俞紫芝《兰亭休禊图》对后世影响较大,历代画家多以此为蓝本创作了一些列作品。
明益宣王重刻大《兰亭图》
![](https://p0.ssl.img.360kuai.com/t01874caa9034403f98.jpg?size=720x540)
尤求 兰亭雅集图 弗利尔美术馆藏
![](https://p0.ssl.img.360kuai.com/t015c3bba2f8466eb2a.jpg?size=1080x343)
文徵明 兰亭雅集图
春夜宴从弟桃花园诗
和王羲之《兰亭序》书法一样,这次集会也是雅集歌赋,人们也自己住了了李白《春夜宴从弟桃花园诗》序文,李白与堂弟们在春夜宴饮赋诗,并为之作此序文,文章以清新俊逸的风格,转折自如的笔调,记叙了作者与诸位堂弟在桃花园聚会赋诗畅叙天伦一事,慷慨激昂地表达了李白热爱生活、热爱生命的人生追求和积极乐观的人生态度。
![](https://p0.ssl.img.360kuai.com/t0115598e372996f356.jpg?size=1080x1388)
![](https://p0.ssl.img.360kuai.com/t019d840a856dda337a.jpg?size=1080x2243)
清 吕焕成 《春夜宴桃李园图》 199×96cm 旅顺博物馆藏
![](https://p0.ssl.img.360kuai.com/t01cb15626d2abb359c.jpg?size=950x2000)
徐菊庵 春夜宴桃李园
卖花担上一枝春
卖花担上。买得一枝春欲放。泪染轻匀。犹带彤霞晓露痕。
![](https://p0.ssl.img.360kuai.com/t0124bfbed4c3d1aad4.jpg?size=1080x1339)
《卖花货郎》
清 冯箕 《卖花图》
![](https://p0.ssl.img.360kuai.com/t010c0170f934462277.jpg?size=446x964)
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利爽柄5130《清明上河图》中:一座精致的拱桥,宛如飞虹,沟通两岸.句子理解 -
孙哑梦18588079331 ______ 一座精致的拱桥,宛若飞虹,沟通两岸.行人众多,车水马龙,人声鼎沸,热闹非凡.《清明上河图》<BR><BR> 一座精致的拱桥,宛若飞虹,<STRONG><FONT size=3>名虹桥</FONT></STRONG>,沟通两岸.行人众多,车水马龙,人声鼎沸,热闹非凡.《清明上河图》
利爽柄5130清明上河图 有什么思想内涵 -
孙哑梦18588079331 ______ 中国十大传世名画之一.北宋风俗画作品,宽24.8厘米,长528.7厘米,绢本设色,是北宋画家张择端存世的仅见的一幅精品,属一级国宝.《清明上河图》生动地记录了中国十二世纪城市生活的面貌,这在中国乃至世界绘画史上都是独一无二...
利爽柄5130清明上河图的含义是什么? -
孙哑梦18588079331 ______ 表达描绘了北宋时期都城东京(今河南开封),汴梁以及汴河两岸的自然风光和繁荣景象 .
利爽柄5130清明上河图是什么意思?
孙哑梦18588079331 ______ 上河,指的是开封的汴河.因北宋都城在开封,汴河故亦称上河.清明上河图画的是清明时节,开封汴河上的风土人物
利爽柄5130清明河上图介绍 -
孙哑梦18588079331 ______ 《清明上河图》画卷简介 《清明上河图》画卷,北宋风俗画作品.作者张择端,字正道,东武(今山东诸城)人.宋徽宗时为宫廷画家.少年时到京城汴梁(今河南开封)游学,后习绘画,尤喜画舟车、市桥、郭径,自成一家.《清明上河图...
利爽柄5130《清明上河图》中的上河是什么意思 -
孙哑梦18588079331 ______ 河:汴河 上:去 这里的上河是:去(赶)汴河(的集市).
利爽柄5130《清明上河图》怎么翻译?? -
孙哑梦18588079331 ______ Upper River During the Qing Ming Festival
利爽柄5130语文课文《清明上河图》预习 -
孙哑梦18588079331 ______ 清明上河图是北宋(960-1234)相当流行的题材,其中以张择端清明上河图最为有名,他以清明时节作为引子,展开对汴京的精描细绘,是写实风俗画的杰作,受到历代喜爱,因而有许多仿本的出现,其中最有名的是清院本清明上河图. 清院...
利爽柄5130求《清明上河图》的名词解释
孙哑梦18588079331 ______ 名词解释: 《清明上河图》:中国十大传世名画之一,为北宋风俗画作品,宽24.8厘米,长528.7厘米,绢本设色;该画卷是北宋画家张择端存世的仅见的一幅精品,属国宝级文物,现存于北京故宫博物院.作品以长卷形式,采用散点透视的构图法,生动地记录了中国十二世纪城市生活的面貌.
利爽柄5130清明上河图的含义是什么 [ -
孙哑梦18588079331 ______ 市郊景象,汴河两岸,繁华街市