凡逐花之虫，必有求于花，不单爱花之美色，更喜蜜蕊芳芯。故蜂、蝶之类，多逐花飞舞，取蜜寻芳。蝶分三类：大者翼大，后有飘带，名为凤蝶；中者色丰，绚丽多彩，后无飘带，名为蛱蝶；小者最素，色多灰黑、粉白，名为粉蝶。不论珍奇异种，皆不出此三类也。

蝴蝶的画法：

三类蝴蝶的形态区分↓↓↓

画蝶，须注入人情，写其随花飞舞之态，如醉如痴之心；又需注意：春时之蝶，腹多肥大，刚从蛹化也；夏时之蝶，多作蛱蝶，与暑日夏花同色也；秋时之蝶，腹必枯瘪，严霜侵凌，食不果腹之故也。画蝶有如蝶在胸中，自可吐露而出，决不可苛求形像，依样画瓢。

蝴蝶的生长规律写生↓↓↓

凤蝶的幼虫写生↓↓↓

蚕及蛾的画法↓↓↓

蝴蝶的飞翔动态↓↓↓

画蝶步骤：

1.用渴笔重墨扫画出蝴蝶的翅膀梢部。↓↓↓

2.用渴笔勾勒出蝴蝶的下翅，线条毛涩，为敷染白粉打基础。↓↓↓

3.用同样的墨色画出蝴蝶对称的翅膀，注意透视，表现其飞翔的不同角度。↓↓↓

4.用赭石调淡墨，画出蝴蝶的头、胸、腹，画出触角，注意线条的弹性，最后画出六肢。↓↓↓

5.用淡赭石分染蝴蝶翅膀的脉络，为敷染白粉打基础。↓↓↓

6.在蝴蝶的翅膀上敷染白粉，表现其固有色和鳞翅的特有质感。↓↓↓

蜂的画法

蜂有多种，常见者有马蜂、蜜蜂两类。马蜂食虫不食蜜，但多伴花飞舞，寻露解渴之故也。蜜蜂喜食花蜜，又有工蜂携蜜回巢，最勤勉可嘉也。马蜂集群做巢，但外出活动，不过三三两两，若见大群，必有急情，使人生畏。蜜蜂寻花觅蕊，多三五结群，曾见牡丹瓣中，集结十数蜜蜂，一经震颤，齐飞而起，又散入花丛之中，观之顿觉“春意闹”。

故画马蜂，不宜多作，一两尾可也；画蜜蜂可少可多，少则春意矜持，多则烂漫热闹。于春景中多画蜜蜂，芍药、牡丹，玉兰、海棠，如此种种，皆可相称。于夏景、秋景中多画马蜂，因马蜂食虫，夏秋则虫多矣。夏景、秋花之中，作马蜂一两尾，尽显花间幽趣。

马蜂的结构和动态↓↓↓

画蜂步骤：

1.用淡墨渴笔扫画出蜜蜂的翅膀，注意用笔虚松，表现其飞翔的动态。↓↓↓

2.用赭石点画出蜜蜂的胸部和腹部，设色不要过重，宜清淡空灵。↓↓↓

3.用中墨点画蜜蜂的胸背部，点画腹部的斑纹，点写出头上的一对复眼。↓↓↓

4.用重墨画出蜜蜂的触角和六肢，六肢的轻盈姿态，表现出其在飞翔中的动感。↓↓↓

5.用浓白粉调藤黄，成为粉黄色，点染蜜蜂的腰部、腿部、腹部，表现其蓬松的绒毛和固有的色彩。↓↓↓

（图文来源于网络，版权归原作者所有）

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