《玫瑰》全文阅读
过了大半年,终于等来天仙确认出演《玫瑰的故事》(改编自亦舒同名小说)的消息。
![](https://p0.ssl.img.360kuai.com/t0101e148e4de8528fd.jpg)
不过叔发现,对于这个角色人选争议还不小,网友普遍担心不适配的角色和剧情会让口碑大跌。
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他们的担忧不无道理,从之前的翻车案例来看,不管师太原著里的男女有多勇敢、独立,改编完播出都逃不过我爱你、你爱她的多箭头CP大乱炖。
更何况,《玫瑰的故事》本身就是恋爱戏,好怕天仙成为下一个站在玛丽苏之巅的女人。
![](https://p0.ssl.img.360kuai.com/t01d4458e5581c5786f.jpg)
这海报画风已经有那趋势
在观众心里,她的美更像是天上的不落凡尘,和亦舒笔下的风情万种,撩人于无形的形象还是有些差距的。
![](https://p0.ssl.img.360kuai.com/t01af96df6d0892b0d9.jpg)
大家提名的人选也五花八门,张柏芝、邱淑贞、俞飞鸿、朱珠......
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叔发现,想真正找到一个能美得浓烈明艳、大杀四方的女明星来演黄玫瑰还真挺难的。
究竟亦舒女郎到底应该是什么形象,为什么这么多年她们魅力不减,同时也争议不断呢?叔今天就跟大家唠唠。
01
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亦舒女郎的形象
其实亦舒很少着墨于渲染她们的美貌,不过从她简短的描写中我们也能窥见亦舒女郎的整体形象。
《流金岁月》里的朱锁锁和蒋南孙,就是亦舒女郎最典型的两种美。
![](https://p0.ssl.img.360kuai.com/t012e9d64061164dd4d.jpg)
1988年电影版《流金岁月》
朱锁锁的美,是性感妖艳、颠倒众生的,“一张雪白的鹅蛋脸,五官精致,嘴角有一颗痣。蜷缩在沙发中,似一只猫,只用两只宝光灿烂的眼睛盯住他。”
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三两语勾划出一个浑身散发着风情的、小野猫般撩人心弦的亦舒女郎形象。
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蒋南孙的美则是另一种,朴素纯良、不自知,“是那种罕有的不自觉长得好的女孩,不着颜色的面孔有着天然的浓眉及长睫”。
![](https://p0.ssl.img.360kuai.com/t015639bd1421bb5119.jpg)
看似自然无公害,却能在无形中让人深陷,失魂落魄。
![](https://p0.ssl.img.360kuai.com/t01bea0ca048a8a9866.gif)
在人群中也非常突出
回看当年口碑不佳的电影版《流金岁月》,钟楚红和张曼玉多少有点亦舒女郎那味儿。
![](https://p0.ssl.img.360kuai.com/t013a19360428e03f22.jpg)
这也就不难解释为什么剧版刘诗诗和倪妮,会被网友说不贴脸。
蒋南孙虽清淡,但好歹是优渥人家的女儿,圆融宽和的脸和富贵感缺一不可,稍显瘦削的脸反衬诗诗的凹陷嶙峋感。
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张曼玉的平整感本身就带点富态
清纯之余木讷和钝感也变重了,像带着天然的倔强,笔挺端庄的木系美人,清冷但感受不到情绪加成。
对比诗诗的“木”,颌面饱满的张曼玉在观感上会更贴近养尊处优的大小姐形象一些。
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倪妮开阔的面相带来的大气爽朗比起单纯的明艳女星,多了精明和任性,但这样的洒脱风情用力过猛后就变得有些油腻了。
钟楚红版本的朱锁锁,恰到好处的眼波流转比倪妮更娇媚几分。
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在诸多亦舒女郎中,完完全全从初到最后都保持少女心的,就是《玫瑰的故事》里的黄玫瑰。
师太形容她,“蔷薇色的皮肤,圆眼睛,左边脸颊上一颗蓝痣,长腿,结实的胸脯”。娇憨无辜,好似只开一上午的黄玫瑰。
![](https://p0.ssl.img.360kuai.com/t01512f854e9f9ff73c.jpg)
在原著中她美得惊天动地,要知道她很少这么不留余地描写哪个女人的美貌,是那么的吹灰不费颠倒众生。
最早的电影版曾想找钟楚红来演,她说觉得林青霞更合适,最后请示师太时她一口指定,让张曼玉来演。
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钟楚红VS张曼玉
当时才20来岁的她会不会演戏不重要,她一出场就能迷死人,这才是黄玫瑰选角的首要条件。
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从这个角度来看刘亦菲的美貌度并不差,尤其是少年时期的白秀珠和王语嫣,在叔看来能匹配上黄玫瑰那令人震慑的美感。
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她也是很多网友心目中《第一炉香》葛薇龙的人选。
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光有美貌度还不足以拾起这一担子,性感与娇憨兼具才能和恃靓行凶的黄玫瑰相匹配。
且她身上的风韵、历经爱情创伤后的沧桑和韧劲是否能够击中人心,才是观众们担心的。就像当年的张曼玉,还是被看出少了些阅历和韵味,若是《花样年华》时期的她,风情更胜。
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更别提亦舒女郎们那两三分施力、七八分收敛的劲儿最是难拿捏,过犹不及。
不经意的一瞥目光,能从眉宇间散发出令人忘忧的倾心气质。
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随手往椅背一搭,韵味碾压。这样费力不讨巧的活儿若没有几分入骨的慵懒和贵气,分寸实难拿捏。
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02
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亦舒女郎的独特之处
师太笔下的女人们,自有一套审美标准。
当时已经Chanel、YSL加身的亦舒女郎,从不披挂一身金光,不会给人压迫和刻意感。
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身穿Chanel、Armani、YSL
通常选的都是质感上乘,又看不出品牌的。《喜宝》里就提到,暴发户只懂得卡地亚,妈妈只买Kutchinsky,一个小众到大部分人都没听过的珠宝品牌。
对于她们而言,赤裸裸摊开给人看,都是炫耀行径。一个女人充满自信,穿戴打扮都是信手拈来的。
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重要的是,衣服也好,家装也好都不要太新。留下岁月使用痕迹,不让人觉得是刻意换上的轻描淡写才更高明。
就连妆容也是,奔波了一天后,唇膏几乎脱掉,碎发贴在额头,就收获了一份漫不经心的性感。
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白衬衫卡其裤,没有用力的后天雕琢痕迹,只用一块蚝式手表便能展现品味。
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蒋南孙的原型施南生,日常就是这样,只用小黑裙、白上衣等常见单品就将优雅高贵演绎到极致。
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处处透露着一种“虽然我穿得基础,但我可不是凡人”的气场。
举手投足间的从容,也能杀人于无形。
这种不费力的舒适在天仙身上同样能见到。
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亦舒女郎的标签化风格显著,还在于她们不加修饰的明艳气质。
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琼瑶女郎的我见犹怜,张爱玲女郎的悲凉宿命在亦舒笔下都看不到,她们就像师太反复用的名字“玫瑰”一样,带着主动出击迷倒众生的魄力。
有点像收敛版的“万人迷”,天生尤物,媚而不俗。
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也是黄玫瑰原型章小蕙,带着贵妇该有的丰腴感和拨云见日的宠辱不惊,用伦敦腔为一款六七年前就过气的“文艺复兴”眼影盘加持,不追潮流反成潮流。
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由内而外浸润在老派文艺气息下,让观众能够不断细品、回味,视觉上得到洗礼,精神也获得享受和疗愈。
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她也爱用玫瑰形容自己
这样的女郎们无论何时都要体面要尊严,保持姿态好看。
《流金岁月》原著有个小细节,蒋南孙收留了朱锁锁后有朋友来找,南孙出于关心询问了对方的来头,母亲阻止了她进一步询问,表示对方方便的时候自然会说。
这就是师太笔下独立女性的生存之道,充满着克制、聪慧和体谅,把握好亲疏之间的分寸感更加恒久稳固。
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喜欢亦舒小说的朋友,对于女人的欣赏,并不是传统影视剧里为她争得头破血流的男人有多少,献殷勤的队伍有多长,而是她能为自己争取到多辽阔的天地。
家道中落的蒋南孙一个人要在公司干八个人的活儿,为了生存听着老板讲朱锁锁的八卦也只能默默咽下。
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彼此守望和映照
在历经无数心酸和窘迫后依然能骄傲地说,自己所有的一切,全靠自己双手赚来,没人拿得走。
03
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亦舒女郎的争议之处
这几年亦舒IP火了之后,关于她笔下的女性形象争议就不断。
一部分书迷觉得改编和原著出入太大毁了原著,一部分觉得亦舒三观不正。
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硬改成正统爱情故事的《喜宝》
某种程度上亦舒的女性观确实精致利己,已经过了相信童话的阶段,“失恋事小,失业事大”是她一直向女性灌输的观点。
师太本人就不掩盖对爱情的冷淡和对金钱的渴望,据说为了买布切拉提的珠宝,她没犹豫就把版权给卖了,也不管最后改成什么样子,心真的很大。
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她不否认人性的贪婪和黑暗,同时也敢于展现女性的野心和算计。在叔看来,这样的女性形象未必讨喜可爱,但至少真实有生命力,好过无视生活的波折和杀机,将辛苦求存的女性包装成玛丽苏大女主。
![](https://p0.ssl.img.360kuai.com/t0154ec28baf6654918.jpg)
全天下如出一辙的玛丽苏剧
她创造了一个女性必须要强、有姿态、保持独立的“乌托邦”世界,某种程度上鼓励了一部分纠结、迟疑的女性向前迈进。
叔也不觉得非要给亦舒女郎安上“新时代女性的标杆”,师太只是展现她笃信的价值观罢了。
![](https://p0.ssl.img.360kuai.com/t018f9178dbaa780acc.jpg)
从不吝表达观点,夸赞欣赏的女性
但这么多年过去,她们身上依旧留有能启迪我们的品质,对于情感和经济的不再依附,让她们盛开出坚韧的带刺玫瑰形态。
![](https://p0.ssl.img.360kuai.com/t01f12b1e6edc3e2f34.jpg)
有灵魂的美才有意义
只不过从改编影视的角度来看,一些剧方似乎更偏好成功女性会得到很多男性对宠爱和帮助,《我的前半生》和《流金岁月》里女主由洒脱疏离变得为情所困,已和亦舒女郎大相径庭。
![](https://p0.ssl.img.360kuai.com/t01aa86641740fe0633.jpg)
亦舒笔下的女性,不论性格和处境怎样,自始至终不变的,是不论遇到什么样的困境都能咬牙趟出一条生路。
至于世人的评判,她们并不在乎。
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徐彩施4142有关玫瑰的诗句 -
辕保阮15627335492 ______ 1、要生活啊,信我的话,别等待明天,就在今天采摘生命的玫瑰吧.——龙沙 2、让睁眼看着玫瑰的人,也看看它的刺.——印度·泰戈尔 3、名字有什么关系?把玫瑰花叫做别的名称,它还是照样芳香.——英国·莎士比亚 4、闻道江南种玉...
徐彩施4142是源于什么样的构思写下了《玫瑰》这个故事?在这个故事里面你最满意?
辕保阮15627335492 ______ 卓杨秋相都是很认真塑造,也很心爱的人物.这就不说了,说一下玫瑰里出现的新人吧.其实有两个人物,Candy和亚当斯大公是比较别致的.我不惮于去暴露他们自私、偏执、阴沉……但这些瑕疵不掩饰他们应有的光芒.这是一类更丰富成熟的人物吧.
徐彩施4142亦舒小说集txt -
辕保阮15627335492 ______ 亦舒小说集百度网盘txt 最新全集下载: 链接: https://pan.baidu.com/s/1_LmFT6uL3lusg4Tfjy-XYw 提取码:uk7c亦舒,原名倪亦舒,香港作家,已移居加拿大.她以笔名“衣莎贝”在《明报周刊》撰写专栏.亦舒创作的《玫瑰的故事》 等多部作品曾改编为电影.
徐彩施4142玫瑰的故事 亦舒txt -
辕保阮15627335492 ______ 你好!网盘资源,请及时下载 若下载不了,请留邮箱 最好只写数字~\(≧▽≦)/~
徐彩施4142玫瑰即使改了名字,芳香依然如旧.来自莎士比亚哪部小说 -
辕保阮15627335492 ______ 不是小说,这句话出自剧本《罗密欧与朱丽叶》第二场 凯普莱特家的花园 我们叫做玫瑰的这一种花,要是换了个名字,它的香味还是同样的芬芳;罗密欧要是换了别的名字,他的可爱的完美也决不会有丝毫改变.罗密欧,抛弃了你的名字吧;我愿意把我整个的心灵,赔偿你这一个身外的空名.
徐彩施4142玫瑰的瑰怎麽读 -
辕保阮15627335492 ______ 瑰 开放分类: 汉字、语言、词汇、文字、字典 【gui】 瑰 marvellous; rare; 瑰 (1) 瓌 guī (2) (形声.从玉, 鬼声.本义: 美玉; 美石) 同本义 [fine jade;fine stone] 瑰,攻瑰火齐也.――《说文》 赤玉攻瑰.――《史记·司马相如...
徐彩施4142...而且花朵也大到像一只碟子!我们同学们都爱摘下一朵含苞的花蕊,插在髻上.当然我们在攀摘时也很小心花枝上的尖刺.记得我还写了一首诗,叫做《玫... -
辕保阮15627335492 ______[答案] 1.D 2.AC 3.因为战争期间度日艰难,作者不得不舍弃自己的所爱;字里行间透露出“我”对战争的憎恶之情和对玫瑰花的难以割舍的情愫.(意对即可)
徐彩施4142米斯特拉尔的《玫瑰树根》的阅读答案1.全文共12段,将它们分为三段,如何分?2.细流对待玫瑰树根的态度前后有什么不同?为什么会发生变化?3.这篇寓... -
辕保阮15627335492 ______[答案] 一1.2.3// 4.5// 6.7.8.9.10.11 二.前后态度:鄙视的态度,认为这么丑树根没有什么好处 变化原因:因为看到了地面上的玫瑰是那么的分外美丽.三.看一个人不要看他的外表,要看他的内心,光外表美丽是不够的,要心灵美才是...
徐彩施4142玫瑰欲小说txt全集免费下载 -
辕保阮15627335492 ______ 下载地址私信你了,点击右上消息可以看到.