连复兴，古彬州人，生于一九四五年八月，號彬州散人，自幼酷愛傳統文化及書法，中年先從柳公的“玄秘塔”“神策軍”入手，後又敬習“蘭亭序”、曾經得鐘明善、康智峰等先生指點，在書法習作中有些進展。

曾獲2005年北京大學舉辦的“輝煌北京”中青年金獎，“杏花村”入圍獎，“延安杯”二等獎，全國政協書法展“銀華獎”。

其作品被業内名家譽爲“清秀典雅，文氣十足，變化多端”也被稱爲“有實力的書法家”。

現任:長安書畫研究院副院長

大唐書院專職書法家西信書畫協會會長

笔作唐法，墨洇晋韵。书法者，心也！如果不能以心作书法，是谓书匠书奴。连复兴先生写书法，心与笔合，情与墨融，心有所倾，笔既畅达！所以他的书法有依书抒情的快意，可以和谐地把心迹变成笔迹的镜象！依心写书法，就可以心手双畅，写得同自然之妙有，非力运所能成。笔墨因心而出，如若激楚浪以成文，非刻意非故意，我笔写我心，天质自然。晋代文人写书法，尽皆如是。如今先生亦修此风，可以感叹：书法渊妙，代不绝人！

连复兴先生的书法造诣缘起于书性过人，自幼悟翰墨，深师碑贴诸书皆成，通过临池不辍，修成了博涉多优，诸书皆成的真功夫。经由行草书的修习，掌握了中锋行笔，使转自如的笔法要诀，这也是他的行草书可以挥洒自如的基础资粮。

连复兴先生是一位在书法艺途中脱颖而出的时代名家！先生作书，能恰到好处的将先贤的翰墨精髓为自己所用，不仅如此，他那笔酣墨饱的书法语境，更是被其融入了丰富的文人精神！所以在他的众幅书法作品中，我们不仅能看到他对传统意识的高度把握，更是能看到他那与时俱进的阔达书风和个性体悟！

连复兴先生的书法创作气象大，书来不是收束谨慎，而是无所顾忌，不斤斤计较刻意描摹其碑刻的圭角，而是呈现自由的挥洒之态。他写字果断、快捷、落笔成形，多有几分骄横和野犷之气的抒发，放得开，收得拢，灵活机巧。

连复兴先生的书法创作尚意取神，不为形似所累，追求主体情意的自由表现。他在字的造型上以得其基本特征、轮廓与生意为足，这种创作手法以意趣为美，意趣之意包括主体的情兴与客体的生意两个方面，但以主体情兴为主，脱略形似，正是为了获得主体情意表达的最大自由。

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