郎世宁《 乾隆皇帝 朝服像》
乾隆皇帝，
著名的“文人”皇帝，
他擅书法、好题字，
一生写了上万幅书法。
留下如此多的墨迹，
是否也有绘画传世？
事实上，
乾隆皇帝一生所作绘画，
至少有一千四百幅之多，
只是鲜为人所提及罢了。
乾隆为祝贺母亲八十寿辰而创作的《多禄图》
乾隆皇帝学习绘画起点很高。首先，由于生于皇家，他年幼时便可以接触到当时的文化精英，如叔叔允禧、允禄，西洋画家郎世宁等。与他们探讨画理、切磋画艺，绘画水平自然精进极快。
乾隆御笔《岁寒三益图》
此外，清宫中盛极一时的书画收藏，也为乾隆皇帝观摩临习历代名家的绘画创造了得天独厚的便利条件。
乾隆御笔《柳塘凫浴图》
乾隆皇帝学画，始自对五代黄筌花鸟画的学习。黄筌擅绘宫廷园囿中的珍禽异鸟、奇花怪石，画风华丽精妙，故有“黄家富贵”之说——这正是乾隆皇帝所追求的审美情趣。
乾隆御笔《一枝独秀》
但是，由于乾隆皇帝并无很深的绘画功底，他学院体花鸟画时，即使作一幅小画也很吃力。所以，他转向了注重“古意”，而在写实功力上可以适当放松要求的“文人画”。
乾隆御笔《寒山别墅图》
自娱自乐、陶冶性情，是乾隆皇帝作画的目的。他并不以画交友，也不用出售，更不作留名画史之想。这是作画时最好的一种心态，配以最好的纸、最好的墨、最好的颜料，于无拘无束中笔随意走，挥写的是真性情。
乾隆御笔《汉柏图》
乾隆皇帝其它绘画作品欣赏：
乾隆御笔《兰竹秀石》
乾隆御笔《松菊图》
乾隆御笔《杏花图》
乾隆御笔《金莲花》
乾隆御笔《水仙册》
乾隆御笔《盘龙松》
乾隆御笔《双清图》
乾隆御笔《庚辰岁朝图并新正重华宫诗轴》
乾隆御笔《山茶》《墨竹》对屏
乾隆行书《大士像并心经图轴》
乾隆御笔《濯足图》
乾隆御笔《双塔峰图》
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