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吴昌硕 兰石图
吴昌硕认为,好的国画作品,应该“画气不画形”!中国画为表,在形;传统文化为里,在气。
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吴昌硕 金错刀 纸本墨笔
修养有了,气质变化,形亦在变,故而说传统文化与中国画乃一体两面。长期修养,由内而外,笃行敏求,融会贯通,通达之际归于一画,此乃一化为万,万归于一,法备气至,敦品润德,即成体用之成。
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吴昌硕 梅花 纸本设色
吴昌硕的绘画以气势为主,在画面布局、用笔等方面显得最为突出,不论横幅直幅,所画花木常用对角倾斜之势,梅花、桃花、桂花布局常从下角向上方斜出;画藤茎植物又从上角对向下角,紫藤、葫芦、葡萄,结合笔势,画面产生龙腾蛟舞之气势。
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吴昌硕 翠盖明珠 纸本设色
而画花卉,常配以怪丑奇石,极尽穿插之妙,不经意中颇具匠心,以气取势,因势传神,横涂竖抹,苍劲雄浑,貌拙气酣,以极简练的笔墨表现出深邃的意境。
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吴昌硕 人间富贵花 纸本设色
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吴昌硕 富贵神仙 纸本设色
吴昌硕传统文人画的表现手法,艺术技巧的独特和的精神内涵和审美观念是在于他们处处体现着传统文化的内涵精神,也是中国美术学的灵魂。
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吴昌硕 锦上添花图 纸本设色
从吴昌硕的传统文人画中我们将得到很多教益和启迪:“画品之高,根于人品”,“画以人重,艺由道崇”。文人画并不是没有发展的社会环境,重要的是要加强自身的文化,加强自身全面的文化修养,中、外、古、今、诗、书、画、印,数十年的苦功和敬业精神,才能在创作上有所作为。
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吴昌硕 珊瑚珠 纸本设色
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吴昌硕 芍药图 纸本设色
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沃卫薇854谁能帮我鉴定下这两幅画是不是假的?是吴昌硕的画. -
韩殃璐19352232912 ______ 图片看不清楚,但是基本不会是真的 这幅画基本没有褪色 颜色鲜艳 而且裱边纹理清晰 应该是现代仿造的
沃卫薇854吴昌硕的一幅画市价大概多少? -
韩殃璐19352232912 ______ 一般在五百万以上 吴昌硕,浙江湖州安吉人,清晚期海派最有影响力的画家之一,在书法、绘画、篆刻等方面表现出色,他的作品备受追捧. 主要成就: 清末海派四杰 代表作品: 《瓜果》、《灯下观书》、《姑苏丝画图》等.
沃卫薇854中国现当代著名画家的介绍及作品? -
韩殃璐19352232912 ______ 任伯年、吴昌硕、齐白石、黄宾虹是19世纪晚期至20世纪中期社会转型时期的四位中国画大师,无论是着眼于历史的时代变迁抑或倾听艺术史的自我陈述,他们的艺术都在精神与风格演化的同构中凸现出当下存在的感应与诉求,并最终同汇为强...
沃卫薇854什么是画面形式美? 什么是西方现代绘画?举出五位重要作家. -
韩殃璐19352232912 ______ 第一个问题:说画面形式美并不准确,“形式美”是一种抽象的创造法则,最早提出此概念是在包豪斯设计学院的讲义上,此方法被广泛运用于艺术设计领域,具体包括对比、整齐、均衡、调和、比例、节奏、韵律,掌握此项法则便可准确表达美的内容. 第二个问题:西方现代绘画.西方现代绘画起源于20世纪初,在绘画史上即是“后印象派”,之所以叫“后印象派”是因为这一批画家都受到过“印象派”的影响,尤其是受到莫奈的影响.他们没有共同的学术纲领,作品别拘一格,但他们有一个共通点,即是强调抽象艺术的表现,以宣泄个人情感为目的,作品大量运用立体主义、风格主义和表现主义. 代表人物:塞尚、梵高、高更、马蒂斯、毕加索、达利.
沃卫薇854中国画家吴昌硕的作品表现形式是? -
韩殃璐19352232912 ______ 金石味十足,以篆书入画,笔力苍劲老辣,雄健凝重.
沃卫薇854徐渭,朱耷和吴昌硕绘画有什么共同风格? -
韩殃璐19352232912 ______ 共同的风格是:鲜明的个性——不追求笔墨的精细,而追求精神的酣畅表达! 徐渭的文艺创作所涉及的领域很广,但可以指出它们共同的特征,就是:艺术上绝不依傍他人,喜好独创一格,具有强烈的个性,风格豪迈而放逸,而且常常表现出...
沃卫薇854卢光照的卢光照谈画录 -
韩殃璐19352232912 ______ 锲而不舍,不进则退——卢光照先生谈画录 (一)1992年9月30日下午3点钟,我拿着6幅国画作品, 先来到尹瘦石先生家.过一会儿,尹老将带着我去拜见 卢光照先生. “卢老家就在前面,也是一门二层两个单元,同我家 一样,只是他们家...
沃卫薇854民国期间有叫少基的画家吗 -
韩殃璐19352232912 ______ 吴昌硕(1844-1927) 原名俊、俊卿,字昌硕,又字仓石,别号缶卢、苦铁、大龙,少基等,晚清著名画家、书法家、篆刻家,为“后海派”中的代表,是杭州西泠印社首任社长.吴昌硕与虚谷、蒲华、任伯年齐名的“清末海派四杰”.就其绘...
沃卫薇854民国画家师石 -
韩殃璐19352232912 ______ 民国时期著名的画家有吴昌硕(虽多生活于晚清,还是想把他纳入进来介绍)、周湘、黄宾虹、刘海粟、徐悲鸿、林风眠、齐白石等.简介如下:吴昌硕(1844-1927) 原名俊、俊卿,字昌硕,又字仓石,别号缶卢、苦铁、大龙等,晚清著名画...
沃卫薇854吴冠中是吴昌硕的后代吗? -
韩殃璐19352232912 ______ 吴昌硕(1844年8月1日 —1927年11月29日),汉族,浙江省湖州安吉县鄣吴村人,中国清末民初的篆刻家,亦工书法、绘画.他的本名是“吴俊”或“吴俊卿”、昌硕是他的字号,他也使用过字号“昌石”、另有别号为“缶卢”、“苦铁”、“大龙”等,晚年在70岁之后,称自己为“吴字”.吴昌硕最擅长写意花卉,他以书法入画,把书法、篆刻的行笔、运刀、章法融入绘画,形成富有金石味的独特画风.他以篆笔写梅兰,狂草作葡萄,所作花卉木石,笔力敦厚老辣、气势雄强.与任伯年、赵之谦、虚谷齐名为“清末海派四大家”.