何人二十多岁名动京城，被称“淡墨探花”？罕见其行楷碑文，精品！

在中国书法历史上，二十来岁就名动京城的人不多，凭借书法之名激动京城的人更少，如此年纪，竟然有这等书法才华绝学的人，实属难见。这位书法家就是王文治，王文治在乾隆二十五年的时候高中进士，得到一甲第三名的好成绩，即为探花，由于他以书法著称于世，善用淡墨，故而又被誉为“淡墨探花”。王文治的书法得到当时的上至皇帝海外文人墨客的认可和推崇，下至得到平民百姓的青睐与喜欢，是一位真正有实力的书法家。

下边给各位带来的是王文治笔下极其罕见的碑文书法作品，名为《宣灵王祠碑文》。时在乾隆四十三年春三月，王文治受邀书写《宣灵王祠碑文》，这份碑文事关朱孝纯任两淮都转盐运使时,倡修“宣灵王祠”,撰“宣灵王祠碑文”。整块碑文以行楷书法书写，严谨端庄，大气沉稳，是清朝时期所书写的上好碑文，堪称精品。

通过观察王文治这一幅行楷书碑文作品，可以从中看出其书法带有董其昌书法的韵味。据悉，王文治在书法上也对于董其昌书法研究颇深，并且得到董其昌书法之精髓，在当时的清朝，官府也是推崇董其昌书法，大环境之下，王文治也没能躲过，好在他还是学到了董其昌书法之精髓。虽然他的书法境界也因此受到了限制，但是其书法成就并不算低了，假若王文治学习其他的书法字体和方向，也未必见得有如此成就。

王文治在书法创作的时候善用淡墨，但是在这幅碑文书法作品之中难以察觉。不过观察其书法，倒是可以看出他的行楷书法有潇疏秀逸之神韵。通过这幅碑文书法作品可以看出其书法植根于传统好书法，一生受董书影响，落笔生风，《宣灵王祠碑文》行楷书俊逸严谨，端庄大气，令人赞叹不已！

不知各位书友是如何看待王文治这一碑文书法作品呢？期待您的评论！

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