木雕上色用什么漆
他的雕刻刀下都是赤裸的动物雕塑,但是奇怪的是,看了却并不觉得让人羞涩,一点都没有带颜色的意味。
吉田昭彦
日本著名雕刻艺术家
他的这些木雕作品
都是在痛苦中创作出来的
他的一生都在经历失意和绝望
年少时便有一个艺术梦
励志要考进东京著名的艺术院校
为此勤奋用功
画画和文化成绩齐头并进
但是,他就不是越努力越幸运的那类人
考学三年、落榜三年
对他的打击很大
他认清了现实
觉得自己可能不是搞艺术的料
他绝望了,决定放弃自己的艺术梦想
后来在去北海道生活的机缘下
接触了木雕
成为了一个雕刻家
结婚生子、把爱好成为事业
看起来就是生活顺遂的典范
可惜,造化弄人
妻子因病去世
他非常的悲伤痛苦
伤心了许久
后来为了生计,不得不重新拿起刻刀
雕刻这门手艺,就需要日日练手
他许久不雕刻了
手艺和精力都大不如从前
于是他停下来,好好的思考创作
他后来创作的动物拟人木雕系列
风格很温暖、很治愈
虽然面容是动物
但是看身躯、身体构造、神情
都非常的拟人化
像极了人类
他也因为这系列的木雕作品
声名大噪
受到了很多人的喜爱
还因此举办了多场展览
很多人去到北海道
看他的木雕展览
只为了看完治愈自己,得到慰藉
不得不说
有些真的很可爱
如今的他
终于实现了年少时的梦
成为了一名艺术创作者
他用木头雕刻的动物
向大家传递了人类的情感
虽然所有作品都是以动物为主题
但是每件作品都富有灵魂
这也是他的过人之处
木雕作品中都是人性
而非是令人产生邪念的遐想
每一件木雕作品打磨的空灵轻盈
色彩渐变,自然的纹理
每件作品都是用整块的木头雕刻而成
再进行的上色
不是传统木雕的风格
都很灵活、生动、真实
给人一种呼吸的感觉
这些木雕作品
上半身是动物
下半身是人体
不仅个个养眼
还滋养了人的心灵
平时他的大部分的时间
都待在自己的工作室里
在一堆雕刻工具中
沉浸式的创作木雕作品
安静的待在小房间内
雕刻下这些动物
自从妻子去世后
他就在木雕中寻求感情的寄托
这些作品中包含了多种情绪
孤独、欲望、爱情、亲情等等
每件作品都非常有穿透力和感染力
一个个憨态可掬
看着这些木雕作品
让人不禁想
艺术家创作的这些作品
在想些什么
它们是怎样的情绪
想表达什么
又代表着什么
一个个充满故事的雕刻作品
引人注目
创作者在创作的时候
又经历了哪些心路历程
创作出来的
都值得深思
现在的他创作这系列作品
已有10年左右的时间
虽然他如今已经60多岁了
但雕刻的功力却是越来越老练了
他还在东京的银座
开了一间木雕店
这在东京可谓是远近闻名
每天前去观赏的人很多
但是却很少有人了解
创作者在雕刻时的心路历程
他把自己所有的情感
都注入在这一件件作品中
他让这些动物雕刻
都有了生命
如今,他的全部身心
都被木雕的创作而填满
近10年的创作生涯中
他总共雕刻了300多件作品
一个月两三件作品的精心打磨
每件作品都是匠心打造的精品
作品饱含了他对于人生的理解
也藏着他的大半生的人生经历
用心雕刻出来的作品
带给人的视觉体验都不一样
这些逼真的木雕作品
令人看了泪目
就好像这些动物木雕成精了似的
虽然个个一丝不挂
但是却极其温暖
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