书画册页起源于唐代，兴盛于明清，也称为小品、册叶、叶册，是历代书画集藏者欣赏、保藏零散的单件小品、手札、团扇、折扇等书画作品的一种装裱形式。明清时期出现了成本册页，即预先装裱制作成册，后作书画。

荣宝斋藏册页选·朱偁 居廉

荣宝斋藏册页选

朱偁 居廉

朱偁（1826——1900）初名琛，字梦庐，号觉未，别署觉未生、胥山樵叟、鸳湖画叟。浙江嘉兴人。朱熊弟，久寓上海。初法张熊，暇辄借临，张氏自视几不能辨。及王礼得名，以超脱胜张熊之工细，遂从学于王礼。间仿华嵒，亦得其神似，题字款识，莫不酷似。晚年精进，突破成法，别具风致，论者谓惜未脱霸气。擅画花卉、翎毛、草虫，驰誉海上，从学者众，任伯年画风初亦受其影响。朱偁擅画花卉、翎毛、草虫。作品笔酣墨饱，洋溢着自然界生机勃勃的生活气息。此朱偁花鸟册共12开，现藏荣宝斋。

▕ 荣宝斋藏册页选·朱偁花鸟册十二开选三

居廉（1828—1904）字士刚，号古泉，晚号隔山樵子、隔山老人、罗浮散人。广东番禺（今广州）人。居巢堂弟，时称『二居』。父母早逝，从居巢学画，随至广西，师从宋光宝、孟觐乙。返广州后于隔山建十香园，又名啸月琴值，广收学生，高剑父、高奇峰、陈树人均出其门下。擅画花卉草虫，间作山水人物。重视写生，所画花鸟鱼虫，形神兼备。善敷色用粉，以没骨撞水、撞粉之法，别开生面。兼长指画，尝作《二十四番花信图》。此居廉花鸟册共12开，现藏荣宝斋。

▕ 荣宝斋藏册页选·居廉花鸟册十二开选三

荣宝斋藏册页选·赵之谦 陆飞

荣宝斋藏册页选

赵之谦 陆飞

赵之谦，（1829——1884）原名铁三，字益甫，中年后更名之谦，字伪叔，一字冷君，号悲庵，别署憨寮、孺卿，晚号无闷、悲翁、思悲翁。浙江会稽（今绍兴）人。天资聪颖，经史百家无不博览旁通。家贫不能自给，设馆为童子师。清咸丰九年（一八五九）举人。曾于杭州、上海等地鬻书卖画、刻印谋生。同治四年（一八六五）人都，名动京师。十一年（一八七二）以议叙分发江西，官至南城知县。善考证，工诗文，书画篆刻皆独步一时。书法初学颜真卿，篆隶取法邓石如，后取法北魏，兼用侧锋，以北碑笔意正行篆隶诸体。篆刻融以秦汉，力主『印外求印』，兼取秦权诏、汉碑额、钱币、镜铬等。纂着有《悲盒居士诗剩》《悲盒居士文存》《六朝别字记》《补寰宇访碑录》《二金蝶堂印谱》等。此赵之谦花卉册共12开，现藏荣宝斋。

▕ 荣宝斋藏册页选·赵之谦花卉册十二开选三

陆飞，（1719—？）字起潜，号筱饮。浙江仁和（今杭州）人。清乾隆三十年（一七六五）乡试解元。性高旷，慕张志和之为人，造舟日『自度航』，妻孥茶灶，悉载其中，遨游西湖上，渔夫樵子呼为『陆高士』。工诗，书法飘逸，擅画山水、人物、花卉，俱超隽逸群，亦善墨竹，绝似吴镇。晚年鬻画自给，有印日『卖画买山』。着有《筱饮斋稿》。此陆飞山水花鸟册，共10开，现藏荣宝斋。

▕ 荣宝斋藏册页选·陆飞山水花卉册十二开选三

荣宝斋藏册页选·齐白石

荣宝斋藏册页选

齐白石

齐白石（1863——1975）湖南湘潭人。原名纯芝，字渭清；后更名璜，字濒生，号白石，别号借山吟馆主者、寄萍老人等。早年曾做雕花木匠，后从陈少蕃、胡沁园学习诗文、篆刻、书法、绘画，遂以卖画、刻印为生。中年曾多次游历祖国大好河山。诗宗王 运、樊增祥，有古民歌意趣。治印取法秦权、汉印、汉碑额，单刀直下，豪快有力。书学何子贞、金冬心、李北海、《天发神谶》、《三公山》，晚年参以《曹子建碑》。绘画在陈师曾支持下有『衰年变法』，在博大与精微之间游刃，做了不少『千古绝唱』的『好文章』。

▕ 荣宝斋藏册页选·齐白石虫草册二十开之一

曾任北京国立艺专教授、中央美术学院名誉教授、前德意志民主共和国艺术科学院通讯院士、北京画院名誉院长、中国美术家协会主席等职。曾被授予『中国人民杰出艺术家』称号，荣获世界和平理事会一九五五年度国际和平奖，一九六三年诞辰一百周年之际被公推为『世界文化名人』。有《白石诗草》、《白石印章》、《齐白石作品选集》、《齐白石作品集》等出版。此齐白石虫草册共二十开，现藏荣宝斋。

▕ 荣宝斋藏册页选·齐白石虫草册二十开选三

荣宝斋藏册页选·黄鼎 高翔

荣宝斋藏册页选

黄鼎 高翔

黄鼎（1660——1730)字尊古，一字旷亭，号闲浦，别署独往客，晚号净垢老人。江南常熟（今属江苏）人。布衣。善画山水，临摹古人，咄咄逼真，而于王蒙法为尤长。初学画于邱园，既而师王原祁，一变旧蹊，兼得王翚意。生平好游览，杖履所到，凡诡奇殊之状，一一寄之于画。论者谓『王翚看尽古今名画，下笔有成法，鼎看尽九州山水，下笔有生机』。此黄鼎仿古山水册共九开（含一跋），现藏荣宝斋。

▕ 荣宝斋藏册页选·黄鼎仿古山水册选三开

高翔（1688——1752）字凤冈，号堂，又号西唐（堂）。江南甘泉（今江苏扬州）人。与汪士慎、朱冕、蔡嘉、金农友善。擅画梅，笔意松秀，墨法苍润。山水摹法释渐江，参以石涛，用笔静简，书卷盎然。园林小景，多从写生中来。善书法，精篆刻，兼工诗。著有《西唐诗钞》。此高翔山水册共十二开，现藏荣宝斋。

▕ 荣宝斋藏册页选·高翔山水册选三开

荣宝斋藏册页选·八大山人 蒋廷锡

荣宝斋藏册页选

八大山人 蒋廷锡

朱耷（1626——1705）谱名统鏊，传自幼耳大，故名耷，字雪个，号个山，更号人屋、驴汉，晚号八大山人，别暑驴屋驴、个山驴、何园等。江西南昌人。明宗室，宁献王朱权九世孙。天性聪颖，八岁能诗。明末为诸生，明亡弃家避居奉新山中。清顺治五年（1648年）剃发为僧，法名传繁，号刃庵。后病癫狂，哭笑无常，佯狂行走市肆间。康熙二十年（1681）居南昌，病愈还俗。一说曾为道士、南昌青云谱尊为开山祖师。生平不与清廷合作，常署花押由『三月十九』（崇祯帝自缢日）四字组成，以寄亡国之恨。所暑八大山人，联缀似『哭之』或『笑之』。所画鱼鸟，眼珠向上，所谓『白眼看青天』，寓其不平之气。工书法，行楷学王之，参以董其昌，纯朴圆润，无明人习气。狂草亦怪伟，自成一家。尤擅绘画，专工写意水墨。山水学黄公望，构图受董其昌影响，但用笔干枯，呈荒凉气象。水墨花鸟取法沈周、陈道复、徐谓，笔简形赅，放逸不群。晚年造型极富夸张，具有高度概括能力、能以极少笔墨表现极复杂事物。意境高远，空前绝后，于清代花鸟画影响极大。与原济、髡残、渐江合称清初四僧。能诗文，题画语多隐晦。亦工篆刻，所用印恣肆古拙，与画风一致、当出己手。此八大山人花鸟册共十一开（含自题一开、黄宾虹、王福庵各一开），现藏荣宝斋。

▕ 荣宝斋藏册页选·八大山水花鸟册选三开

蒋廷锡（1669——1732）字扬孙，一字酉君，号西谷，一号南沙，别署清桐居士，谥文肃。江南常熟（今属江苏）人。清康熙四十二年（1703）进士，官至大学士。工书善画。未第时，与马元驭、顾文渊游，以逸笔写生，风神生动，无不超逸。间作水墨折枝窠石，以及兰竹小品，极有韵致，能于一幅中工率间出，色墨并施，而神韵生动。尝画塞外花卉七十种，被宫廷藏为珍宝。及第后所作绝少，多为马元驭、马逸父子代笔。著有《青桐轩秋风》《片云诸集》。此蒋廷锡墨笔花鸟册，十开，现藏荣宝斋。

▕ 荣宝斋藏册页选·蒋廷锡花鸟册选三开

荣宝斋藏册页选·高凤翰 张宗苍

荣宝斋藏册页选

高凤翰 张宗苍

高凤翰（1683——1748）字西园，号南村，晚号南阜，别署老阜、石顽老子、松懒道人、蘖琴老人等。山东胶州人。诸生，清雍正五年（1727）举孝友端方，官至安徽绩溪知县。早岁知名，尝奉王世祯遗命，为私淑门人。先后受尹会一、卢见曾知遇。工书法，草书古拙圆劲；擅篆刻，宗法秦汉，苍古朴茂。喜收藏，精鉴赏，尤嗜砚，收藏至千余，皆自铭，大半手琢。擅长绘画，山水早年师法宋人，较为严谨；中年后渐趋纵逸，不拘成法，纯以气胜，兼得宋之雄浑、元之静逸。花卉、树石亦奇逸得天趣。乾隆二年（1737）因右臂病痹，镌『丁巳残人』『尚左生』等印，以左手书画，笔愈苍辣，更富奇趣，为时所称。为扬州八怪之一。著有《南阜诗钞》《砚史》。此高凤翰写生册山水花鸟共十三开（含自题一开），现藏荣宝斋。

▕ 荣宝斋藏册页选·高凤翰写生册选三开

张宗苍（1686——1756）字默存，一字墨岑，号篁村，晚号瘦竹。江南吴县（今江苏苏州）人。初以主簿理河工事。善画，山水出黄鼎之门，用笔沉着，山石皴法多以干笔积累，林木间亦用淡墨干擦配合，神气葱蔚可观。乾隆十六年（1751）高宗南巡，以《吴中十六景画册》进呈，称旨。命入都祗候内廷，十九年（1754）授户部主事。此张宗苍仿古山水册共十二开，现藏荣宝斋。

▕ 荣宝斋藏册页选·张宗苍仿古山水册选三开

荣宝斋藏册页选·任伯年

荣宝斋藏册页选

任伯年

任伯年（1840——1885）初名润，更名颐，字次远，号小楼；更字伯年，以字行。浙江山阴（今绍兴）人。父为民间画师，工写照，自幼得父指授。十四岁进上海扇庄当学徒，曾从刘德斋习写生及水彩画。清同治四年（1865）流寓宁波鬻画，得族叔任熊、任薰悉心指导。七年（1868）随任薰至苏州，是年冬定居上海，鬻画为生。为人率真，不修边幅。晚嗜鸦片，导致肺疾去世。擅画人物、花鸟，尤工肖像，偶亦作山水。作画取法陈洪绶、华嵒，兼师陈道复、徐渭、石涛、朱耷、恽寿平，广采博取，融会贯通。重写生，居沪时常去豫园观察各种人物，或速写，或目识心记。每作画，虽极细之笔必悬腕中锋。书法参以画意，奇警异常。声誉赫然，于诸任成就最为突出，徐悲鸿誉之为『仇十洲后中国画家第一人』。此任伯年花鸟册页共计二十六开，现藏荣宝斋。

▕ 荣宝斋藏册页选·任伯年花鸟册选三开

荣宝斋藏册页选·丁元公 陆日为

荣宝斋藏册页选

丁元公 陆日为

丁元公（生卒年不详）字原躬，法名净伊，号愿庵。明末清初浙江嘉兴人。布衣，后为僧。善诗，工书法，兼长于篆刻。擅画山水、人物，出家后专画佛像。山水笔墨尤高远，老而秀，工而不纤。尝遍访历代佛祖高僧，自大迦叶尊者迄明季莲池大师绘为巨册，各识事迹。此丁元公山水册页共六开，现藏荣宝斋。

▕ 荣宝斋藏册页选·丁元公 山水册选三开

陆日为（生卒年不详）字日为，号遂山樵。浙江遂昌人，清康熙时居江南松江（今属上海）。工画山水，初学米芾、高克恭，后参以己意，自成一局。用挑笔密点，由淡及浓，不惜百遍，林峦崖石间，墨气氤氲。此陆日为山水册共八开，现藏荣宝斋。

▕ 荣宝斋藏册页选·陆日为 山水册选三开

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戴别香1067桐字的含意是什么? -
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戴别香1067求用桐谷直叶 四个字做一首藏头诗要唯美点的 谢谢 -
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