欧楷书法作品欣赏
清朝学欧楷最像的书法家,姚孟起临《九成宫》,当今莫有相比者!
如今,很多的书友乃至书法家都难以书写一手要好的楷书,网上也是流传着这样的一句话,即“楷书是书法家水平的试金石”, 书友们认为一个书法家应该要能写一手要好的楷书,不然就不是一个合格的书法家。您是怎么认为的呢?
虽然说书法家不一定都会写一手要好的楷书,但是能写一手优秀楷书的人一定是书法家,尤其是近些年来,“丑书”的频频出现,并占据大量的流量,吸引了不少的书友关注,书友们更是想起楷书的好,认为写好楷书就可以人人去鉴别,而不像是草书,让人难以分别好坏,使得一些所谓的书法大师钻了书法的空子,扰乱书法的市场和秩序。
而在楷书之中,众多的书友还是首推“欧楷”是最好的楷书,当今的楷书名家卢中南和田英章的楷书都是出自欧楷一脉。所以,一个但凡能写好欧体楷书的书友,都是值得肯定和称赞的。
但是,您知道清朝至今学“欧楷”第一人是谁吗?首推清朝著名书法家姚孟起,他笔下所写或者临摹的“欧体”楷书,真的是形神兼备,与原帖相似度无限接近,功夫真的是高。
如文中的书法图片所示,左边为《九成宫醴泉铭》楷书作品原帖,而右边为姚孟起的临摹笔迹,通过对比,我们显然发现姚孟起的临摹功底极高。
据悉,姚孟起在其笔下所有的临摹的书法作品之中,尤以临摹是《九成宫》水平最高,惟妙惟肖,几乎可以以假乱真。其相似的点都主要在哪里呢?细心的书友会发现,姚孟起所临的《九成宫》,主要在笔法和结构上,真的是神形兼备。但是,也有名下不一样的地方,那就是姚孟起似乎在故意做一些改变,如上图所示,“分”字,第三笔,横折弯钩,显然是不一样的,姚孟起的横画更长一些。这还不是最明显的不同, 最明显的不同之处贯穿整幅临摹的书法作品。
有的书友就会听说过“真欧不瘦”,姚孟起所临摹的“欧体”,相比原帖来说,还是瘦了些,主要体现在笔画上偏瘦。但是如果撇开原帖不看, 我们又不会觉得姚孟起的楷书偏瘦,水平极高。这就是姚孟起的临摹“欧体”楷书的成功之处吧。虽然是像,学到了欧体楷书之精髓,但是又不完全一样,与原帖有别。
像姚孟起这样高水平的书法作品,如今的书法家只怕没有人能写出来,所以学习“欧体”楷书,姚孟起之后,再也没有对手,您认可吗?
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