楷书有了一定基础,如果过渡到行书,大多是从临摹王羲之《圣教序》,或者《兰亭序》,特别是全碑共集2400多字的圣教序,字字精审,摹刻传神,堪称“王羲之行书宝库”,历来被当作学行书的最佳入门教程。正如当代书坛大家吴玉如先生言:“
习行草怀仁集《圣教序》与《兰亭序》是必经之阶。要从《圣教》与欧、褚、冯各家《兰亭》讨消息。”
![](https://p0.ssl.img.360kuai.com/t01ce3ec6fa26d9e39d.jpg?size=640x669)
![](https://p0.ssl.img.360kuai.com/t01f5c8d024ae32a7f8.jpg?size=640x668)
以此登堂入室。
还有一种方便自然的方式,正如唐代张怀瓘《书断》所言“
行书者,即正书之小讹
(讹在这里是变化,演变的意思)”即楷书学习那家的字帖,行书就同样找临这位书法大家的行书字帖,比如《勤礼碑》之后就可以临颜真卿的《祭侄文稿》或《争座位帖》,欧阳询的楷书之后,就可以无缝对接他的《张翰帖》……
![](https://p0.ssl.img.360kuai.com/t01f4a12b3a449a0774.jpg?size=466x1139)
![](https://p0.ssl.img.360kuai.com/t01b8d0414c56f36bff.jpg?size=536x1134)
![](https://p0.ssl.img.360kuai.com/t0185d16d5b7cb184b3.jpg?size=484x1137)
而想了解一位书法大家写字的方法,从一二件作品中分析得出结果是困难的。但是通过对其有代表性作品的体察、分析、归纳,从中可以摸索一些规律,获得一些间接的书写知识。在实践中不断推敲,如能知一反三,就会有助于我们在临习中深化认识,逐渐登入堂奥。
现在以欧阳询的行书《张翰帖》为范本,对其用笔、结字、章法用两讲的篇幅作一些探求。瘦劲猛锐的用笔是欧阳询行书的主要特征。欧字造型所用点线一般较细,但毫无纤弱之态,在挺拔严谨的笔致中有清妍、蕴藉的意味。
同时也可看到,有的字行笔是较粗重的,如图中的“子、荣、吴”等字。这是书写时随感情的波动,顺应字法、章法的需要自然流露于笔端,表现了用笔的丰富性。
![](https://p0.ssl.img.360kuai.com/t019d032417583cf984.jpg?size=480x890)
![](https://p0.ssl.img.360kuai.com/t013a0ee414b5350f4f.jpg?size=457x870)
欧书的点,因字的不同,取势各异,形态变化很多,无论挑点、侧点、短点,长点,虽多作露锋,但都写得凝重笃实,很难找到墨涨笔散的现象。这就要求写字时用墨控制适当,聚锋落笔入纸,收笔回锋干净利落。
横画,要以竖势落笔;竖画,要以横势落笔。字径只有两厘米左右的这本行书,许多笔画都作露锋。
书写时,落笔略顿、中锋行笔,收笔时轻顿回锋提笔。即使是很短的横画或竖画,都可感到这样的运笔动作,如图中的“吴,时”等字。
![](https://p0.ssl.img.360kuai.com/t0149aca8e6ca207a0a.jpg?size=480x713)
![](https://p0.ssl.img.360kuai.com/t01be8f42b4ffe3f812.jpg?size=480x1506)
由于每一笔画都由按提顿挫(有时很细微)来完成,而不是简单地用笔平拖直抹,这就使线形产生跌宕感。尽管许多点画笔锋外露,但这笔锋成为点画取势的有机部分,不感到芒颖刺目。有的字笔锋藏露互见,显得灵动变化,图中的“荣,林”等字。
![](https://p0.ssl.img.360kuai.com/t01cbb20ed3982fe31d.jpg?size=480x459)
![](https://p0.ssl.img.360kuai.com/t010542962aab5fee42.jpg?size=480x493)
有的字一主长横收笔顿得较重,这是调节整个字的重心所致,达到险中求稳的效果,如“兵,善”等字长画的处理。
![](https://p0.ssl.img.360kuai.com/t018fea849be37efb94.jpg?size=480x839)
![](https://p0.ssl.img.360kuai.com/t011cae4cfe8cc2d90c.jpg?size=469x878)
横竖转折,多作顿笔,如欧的楷书写法,有很强的骨力感,如图中的“鹰、吴”等字的折处。也有少数字因行笔较快而转折
![](https://p0.ssl.img.360kuai.com/t01d35bfe737ebc08a4.jpg?size=470x809)
![](https://p0.ssl.img.360kuai.com/t01325238d0204b58e5.jpg?size=474x699)
流便,如“智,同”等字。
![](https://p0.ssl.img.360kuai.com/t018966b96b1fd64f28.jpg?size=459x1068)
![](https://p0.ssl.img.360kuai.com/t01e204a88a5787f3cc.jpg?size=466x792)
还有一些字作草书写法,如“吾,归”等字。
![](https://p0.ssl.img.360kuai.com/t013d60a1266a34e9c9.jpg?size=480x441)
![](https://p0.ssl.img.360kuai.com/t014b4ca0aa8b8f9f58.jpg?size=480x831)
这些多样的转折写法,显现出书写时运笔的动静、快慢、节奏,这正是抒情性很强的行书的一个长处。
捺画在欧行书中别有姿态,斜捺、平捺、反刀捺等,根据字形、行气、章法的需要,或舒展,或收敛,或仰,或偃,变化裕如,自然可观。
其它如撇、挑等笔画,无论起笔收笔,藏锋露锋,都有粗细、轻重变化和按提运动。
![](https://p0.ssl.img.360kuai.com/t01fded8cce94f4fbf7.jpg?size=354x333)
![](https://p0.ssl.img.360kuai.com/t014a1db82db5ea54f1.jpg?size=640x484)
学习欧行书,我们既要追求精微、挺硬的笔调,线形给人视觉的力的美感,还要领会点线内含力势形成的规律,做到心手双畅,神形兼备。如果我们要写较大的字时,点画相应加粗,同时主笔或粗壮之画起笔可作藏锋,以增加字的厚实,避免纤弱轻浮。
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堵服重4685欧体楷书哪本字帖好 -
柯冉瑶13062982294 ______ 田英章 经典毛笔楷书字帖 很不错还有视频 讲的很详细
堵服重4685福如东海寿比南山楷书欧阳询字体 -
柯冉瑶13062982294 ______ [福如东海寿比南山]的欧体写法.
堵服重4685欧阳询的作品 -
柯冉瑶13062982294 ______ 化度寺塔铭 九成宫醴泉铭 虞恭公温彦博碑 皇甫诞碑 黄帝阴符经(现藏于徐州市博物馆) 荐福寺碑(已佚) 张翰思鲈帖 梦奠帖 卜商帖 正草千字文 行书千字文
堵服重4685欧阳询的传世名作有哪些? -
柯冉瑶13062982294 ______ 欧阳询(557~441),字信本,潭州临湘(今湖南长沙)人.官至太子率更令、弘文馆学土,封渤海县男.博览古今,书则八体尽能,尤工正、行书.初学王羲之、王献之,吸收汉隶和魏晋以来楷法,别创新意,笔力险劲、瘦硬,意态精密俊逸...
堵服重4685颜真卿欧阳询字帖 -
柯冉瑶13062982294 ______ 颜真卿的楷书代表作是《多宝塔碑》、《颜勤礼碑》,欧阳询的楷书代表作是《九成宫碑》,都被用来当做字帖来用.
堵服重4685想练欧阳询的字有没有什么推荐的字帖 -
柯冉瑶13062982294 ______ 你好,欧阳询的字帖的话,我推荐《九成宫礼泉铭》另外,你可以找找这个文章《初学书法应该怎么选择毛笔字帖(附46种经典碑帖名称)》,里边有介绍一些毛笔字帖.
堵服重4685欧体毛笔楷书字帖的介绍 -
柯冉瑶13062982294 ______ 《欧体毛笔楷书字帖》是2006年上海交通大学出版的图书,作者是田英章.
堵服重4685欧阳询颜真卿各自的作品分别有什么? -
柯冉瑶13062982294 ______ 欧阳询:楷书以《九成宫醴泉铭》等,行书以《梦奠帖》、《张翰帖》等为最著名 颜真卿:《争座位贴》《祭侄文稿》、《刘中使帖》、《自书告身帖》
堵服重4685欧体楷书传字怎么写?最好有图, -
柯冉瑶13062982294 ______[答案] 图.一时找不来的说,要想写好,最好的老师就是书本了,最好的书本就是欧体的原碑,原碑是欧阳询的原迹,没有后人的修改,是最正宗的欧体啦~所以,一呢,准备一本原碑的欧体字帖. 二呢,不知道你是哪里不会写,繁体的传印象中和简体是一...