对于田蕴章老师，我们应当是熟悉的。他的《每日一字》栏目深受书法爱好者的喜爱，内容丰富且生动，深入浅出。今天，我们就要借田蕴章老师的书法作品，详细而生动地阐述一下行书的入门之道。

我们始终秉持着初学毛笔不应该直接写行书的观点，认为应该先从隶书、篆书、楷书入手。隶书推荐学习曹全碑，篆书则以白氏草堂记为基础，楷书则推荐学习颜真卿、褚遂良的字体。选择一种风格，开始练习，熟悉笔墨纸砚的使用。如果你已经有其他书体的基础，那么学习行书时，可以先从宋、明、清的书法入手，找一些清晰的墨迹本来学习，掌握行书的基本用笔。

行书的用笔极其讲究变化，楷书的字形近乎只有一种写法，而行书则变化无穷。在行书中，不少字可以有二、三种写法。例如在写一张条幅时，如果有几个重复的字，楷书只能按照规矩写，显得方方正正，缺乏变化；而行书则可以突破固定的字形，变得多样化，即使是同一个字，也可以写出各种形态，显得绚丽多彩。这种技巧需要靠平时的临摹和记忆字形来提升。

田蕴章老师的墨线，精雕细琢，每一笔都充满了深情，富有弹性和韵律。这种韵律会随着情感的波动而变化，点画之间的相互关系处理得当，前后呼应，展现出独特的情感色彩。

虽然田蕴章老师的草书看起来平淡，但实际上却蕴含着无尽的潜能和气魄。看到他的作品，许多欣赏书法的朋友都会感到惊叹，虽然平实但却有汹涌之势。对于喜欢书法的人来说，这种平淡之中蕴含的大气魄无疑会引起深刻的震撼。你是否有这样的体验呢？欢迎与我们分享你的见解和感受，一同交流，共同进步。

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皮变薇1496历史上谁的隶书最好
臧穆鲁15236891153 ______ 清朝的伊秉绶.赵之谦.现代刘炳森的

皮变薇1496秦汉以后有了楷书这句话对吗? -
臧穆鲁15236891153 ______ 这句话原则上是对的.中国楷书的发展史分为四个时期:即楷书的萌芽期——秦汉,楷书发展期——魏、晋、南北朝,楷书繁荣期——隋、唐、五代,楷书守成期——宋、元、明、清.

皮变薇1496清代书法代表人物有哪些?
臧穆鲁15236891153 ______ 1.王铎(1592-1652年),河南孟津双槐里人.因他在明亡之后即降清,在气节上... 他的小篆以斯、冰为师,结体略长,却富有创造性地将隶书笔法糅合其中,大胆地用长...

皮变薇1496隶书四大家都是谁,他们的书法艺术特点是什么 -
臧穆鲁15236891153 ______ 郑簠,金农,邓石如,伊秉绶 郑簠广习汉碑,<<曹全>>为其基本体势与风貌.在此基础之上,又溶入行草.<<夏承碑>>与其他汉碑的某些特征,晚年形成了奔逸超纵,神采奕扬的隶书艺术风貌,以异军突起之势,竖起碑学复兴的第一面旗帜,是清代三百年隶书创作的第一个高峰.金农隶书风格,沉稳果敢,奇崛憨直,他的超前审美与定位,时人言其怪,也是情理之中的事.邓石如是清代书家中用功最勤者,笔能扛鼎.章法结字也很完善,然而由于学养和艺术天分的限制,其作品中不免流露出一些匠气和黑、大、光、亮时弊的痕迹.伊秉绶的隶书给人如对高山,如仰大贤的感觉,其面貌可用正、大、简、拙四字概括.

皮变薇1496明清有哪些篆书名家? -
臧穆鲁15236891153 ______ 徐霖赵宦光傅山徐真木王澍杨法董洵邓石如钱坫洪亮吉孙星衍胡长庚陈豫钟邓廷桢张廷济邓传密吴让之何绍基莫友芝杨沂孙胡澍赵之谦杨守敬吴昌硕王瑾黄土陵罗振玉吴育王孝禹程荃丁玉藻何琪严坤

皮变薇1496古代书法家中谁的隶书写的好 -
臧穆鲁15236891153 ______ 古代隶书书法家有的留下名字,有的没有.隶书是秦朝开始出现,到汉代开始大盛,一直到唐朝还有隶书名家.但从宋代开始一直到明代隶书一直呈衰微局面.直到清代古文字学中兴,北派书法兴盛,开始出现隶书名家.古代隶书以西汉东汉最...

皮变薇1496隶书的书法特点是什么?
臧穆鲁15236891153 ______ 隶书:隶书相传为秦未程邈在狱中所整理,去繁就简,字形变圆为方,笔划改 曲为直.改＂连笔＂为＂断笔＂,从线条向笔划,更便于书写,这种书体流行于＂徒隶＂ (下层办公文的小官)之中.故称为隶书.到汉代这种书体开始盛于起来,成为主要 书体.隶书的出现是汉字演变史上的一个转折点,奠定了楷书的基础.隶书结体扁 平、工整、精巧.到东汉时,撇、捺等点画美化为向上挑起,轻重顿挫富有变化. 增强了书法造型艺术的美观,风格也趋多样化,艺术欣赏的价值大大提高.

皮变薇1496谁给我解释下隶书口诀 -
臧穆鲁15236891153 ______ “方劲古拙,如龟如鳖”.隶书是从篆书演变而来的,使汉字从原来的单一的笔画发展成为多变的笔画,把篆书圆转笔画变为了方折,所以有篆圆隶方的说法,而隶书是比较古老的字体,它的笔画要写得古朴、苍老,给人一种沧桑残缺美,方劲...

皮变薇1496怎样学好隶书? -
臧穆鲁15236891153 ______ 对于初学隶书者首要的问题是如何起步?从何入手?选择什么碑帖?在学习碑帖过程中应当注意哪些问题?总之,学习隶书应当沿着什么轨道发展?朝着什么方向努力?这是需要认真思考和选择的.学习书法应当讲究学习的方法,但是没有捷径...