陈洪绶 香燕图

陈洪绶（1599～1652），字章侯，号老莲，浙江诸暨人。陈洪绶擅长人物、花鸟、山水，尤以人物、肖像画声名最盛，清人张庚评其为“力量气局，超拔磊落，在仇（英）、唐（寅）之上，盖三百年无此笔墨也”。

在明清画坛上，陈洪绶是一个怪杰。他性格怪僻，画亦怪异，无论人物、花鸟、山水，皆能突破前人成规，自创独特面目，尤其是人物画，更是大放异彩，深刻地影响着后世。陈洪绶的作品在国内外艺术品市场上颇受追捧，屡创佳绩。

陈洪绶 执扇仕女

明代中后期的人物画，效法吴门者，从刻画细丽流于柔靡，细眉小眼、弱不禁风的仕女，千人一面，生气渐失。而浙派人物画亦面于两宋藩篱，继承多于创造，渐入粗简陋略。针对画坛现状，陈洪绶不趋时流，独辟蹊径，锐意创新。他的人物画以历史故事、社会风情为主，同时还从汉代石刻造像、民间艺术中吸取精华，融会众家之长，师古而不泥古，形成了自己奇古、别致的风貌。他所绘的《离骚》《九歌》《水浒叶子》《博古叶子》《西厢记》等绣像插图，均由名工镌刻成版画，付梓刊印，对中国版画艺术的发展具有重要意义。

陈洪绶 美人图

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陈洪绶喜欢画仕女，并赋予她们自身的情思，平等地、充满同情和赞美地表现她们的内心世界。通过描绘不同形态的圆弧线、波纹线、蛇形线等，通过起伏、流动以及粗细、疏密、快慢、曲直、干湿等变化，具有丰富的想象力和超乎时辈的装饰意匠，创造出古典东方女性美的经典。线条所蕴含的如水柔情和悠悠思绪，令观者浮想联翩。

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陈洪绶的绘画，有极高的收藏价值和审美价值，其美学品格可概括为：构图的寓意之美、笔法的韵味之美、造型的夸张之美和设色的古雅之美。

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明 陈洪绶 《斗草图》

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在人物画中，他以刚劲、曲折的铁线表现武士，以飘逸、洒脱的笔法描绘隐者，以淡雅、细柔的描法画仕女儿童；他的画在线描、勾勒方面，善于从篆、隶书法中提炼出极富表现力的因素，线条的运用，或若行云流水，或若春蚕绵绵吐丝，或若折铁顿挫方硬，真实而美妙地展示了所绘物象的质感、量感、空间感、运动感和韵律感。

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明 陈洪绶 眷秋图

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陈洪绶 执扇凤簪图 

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陈洪绶 麻姑献寿

陈洪绶 仕女

陈洪绶 仕女

陈洪绶《对镜仕女图》

明 陈洪绶 《调梅图》

陈洪绶  仕女

陈洪绶  执扇仕女

陈洪绶 文姬归汉图

陈洪绶 公孙大娘舞剑图

陈洪绶 仕女图

陈洪绶 仕女图

陈洪绶《诗酒待琴图》

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