网络图画法
本素材摘录自《新编工笔花鸟创作技法》，王勇胜绘，天津人民美术出版社出版，内容仅供参考，如需深入学习，请从正规渠道购买正版图书！
《瑶池饮露图》画法
步骤一：
画竹子要注意竹子的生长规律，首先竹叶组织要清楚，一般一组竹叶是有前后左右、向前垂、向后仰等形态组成。所以叶子的造型要注意的透视变化，不能都一般大小，线条要有抑扬顿挫，干湿浓淡，节奏明晰，富于变化。荆条、坡岸与地面的枯竹，用笔节奏相近，其疏密穿插尤为可贵，在最初的墨线勾画中要融为一体，整体观察注意一气呵成。用中墨勾鹤的眼、嘴、颈、足和鹤，其它用淡墨勾，用笔要注意结构和羽毛的轻盈感，造型要准确简练
步骤二：
底纹笔刷出画面的背景，使之在丰富色彩的同时增加画面的纵深感，从而使画面更具想象空间，宁静而致远。用淡墨加花青多次晕染竹叶、竹干，注意竹子的整体远近、浓淡关系，近处可多染几遍。重墨点丝鹤的颈部，注意线条的组合、转折变化与背部的衔接。勾染鹤，分清前后左右上下结构关系。画岸坡用笔要连勾带皴，二者结合。
步骤三：
汁绿加少许墨形成墨绿色分别罩染竹叶、竹干，注意前后的深浅变化，前面的多染几遍。另外落在下面的几片竹叶虽然并不在显要的地位，但从整幅的布局看，它起到稳定平衡画面作用。淡墨一层一层的渲染鹤的颈部，不能心急，染的过程要把握好虚实关系，太实就不灵活了。单用赭或赭中略调少许淡墨来渲染鹤背、胸部，待干后上白粉，及用白粉丝毛。
步骤四：
竹叶、竹干用石绿罩染。仙鹤再分染后往往还须要统染，以加强鸟体大面积的起伏鹤层次变化；朱砂平涂鹤顶不要一遍画足，半干时用胭脂错落点斑，浓墨点眼睛，并留出高光。岸坡先用汁绿加赭墨画出再晕染石绿，注意水分充足，用笔急缓相参。最后，随手画出岸边杂草，忌刻板。进一步刻画与调整细部，朱磦加曙红点出红果。整个作品完成后，视画面结构落款钤印。
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