爱德华 · 马奈的油画作品《春天》
马奈在艺术史上具有不可磨灭的地位
《春天》（Spring）是马奈四季系列中的一副肖像画作品，但马奈仅完成了《春天》和《秋天》。这幅大师级作品一个多世纪以来一直为私人所收藏（马奈的友人、记者安东尼·普鲁斯特在1883年成为了这幅画的第一位主人），在过去的二十年间，该画作借给位于美国华盛顿的国家艺廊。《春天》的拍卖收益将捐赠予一家支持环保、公共健康及其他慈善事业的美国私人基金会。2014年11月5日，《春天》在美国纽约佳士得拍卖行以6512.5万美元的天价成交，买家是洛杉矶盖蒂博物馆。
爱德华 · 马奈（1832.01.23 － 1883.04.30）
19世纪印象派的奠基人之一，
1832年生于法国巴黎。
他的父亲是内务部首席司法官。受过良好教育
绅士派头，自视清高，热情奔放，
不受拘束，追求独立自由。
爱德华 · 马奈的油画作品
29岁的马奈在巴黎画坛上崭露头角。1882年沙龙展出了他生前最后一幅作品《福利·贝热尔的吧台》，获得极大成功，官方授予他“荣誉团勋章”。
《女神游乐场的酒吧》
1881—1882马奈晚年的代表作。疲惫的侍女立于画中，
一面大镜子，反射出酒吧的场景和空间，
印象主义绘画源于马奈实不为过，
马奈除了印象派那样考虑光之外，
更注重画的结构与色彩的结合，
整幅画看上去很梦幻。
爱德华 · 马奈的油画作品《吹笛子的少年》
马奈的画奔放，大气磅礴。马奈是一个性格高冷的画家，但印象派画家们都很尊重他。马奈的作品吸收了东方绘画的营养，画面具有一种高贵古雅。马奈是一位划时代的伟大的画家。
《草地上的午餐》马奈 油画 1863年 213.4×269厘米 现藏巴黎卢浮宫(图略)
马奈在经过年轻人在所难免的多次动摇之后，终于在1863年，走出了他决定性的一步，这一步影响了他此后的整个一生，那就是他在落选沙龙上展出了“草地上的午餐”。这幅作品把一个裸女同两个着衣男子放在一起。当时，只能在传说场面里表现天神时，才允许画裸体。画面更是造成了一种向深处扩展的线的节奏；可是，马奈为了避免完全立体感，放弃了这种节奏，他只是利用大片的平涂颜色来突出画中的一个个对象。相当成功的设色效果是靠了纯蓝色、灰色或深黄色调子之间的对比而取得的。风景的表现手法轻柔而概括，很引人注目。静物的色彩也很夺人。人物都画得很生动。左边男子的头画得很结实。裸女的身体没有施加阴影，塑造得却很好。
马奈的静物油画作品
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